![]() The show also stars Jennifer Carpenter as Debra Morgan and John Lithgow as the Trinity Killer.Ī forensic expert on blood spatter with the Miami Metro Police Department, Dexter turns into a shrewd and cold-hearted serial killer at night. With eight seasons and a special show, Dexter portrays the conflict between the protagonist himself and committing crimes as heinous as murder. Hall as the lovable and charming Dexter Morgan, this is one of the best serial killer series. Starring Golden Globes award-winning star Michael C. Some of the best serial killer TV shows that you must watch Dexter (2006-2013) Image credit: Dexter/ Photo by SHOWTIME – © Ã Ã Spanning over a number of episodes, while each series is more intriguing than the other, they are sure to have you peeking through your fingers. Whether it is about the fictional vigilante serial killer Dexter Morgan or real-life serial killers like Ted Bundy and Charles Sobhraj, serial killer shows somehow make for great binge-watching options. Multiple murders, unique techniques and gory scenes of crime characterise some of the best serial killer TV shows that have kept the audience looking over their shoulders. Over the years, there has been a growing interest in the serial killer TV shows, which tell viewers what goes on in the minds of some of the most gruesome killers. Probably, that is what makes their stories so intriguing to the viewers. This article was amended on 22 February 2020 to replace an image of Tiffany Boone playing Roxy Jones, which had been incorrectly captioned as showing Jerrika Hinton in the role of Millie Malone.That’s the thing about most serial killers - they can be thorough gentlemen, but under the garb of the charm lies a stone-cold murderer. It felt like exploitation – maybe fetishisation – and part of a cloud of doubt that settles over the whole. Is this OK? In an already questionable setting, my gut instinct is that it’s not. I’ve done as much research as time and emotional resources will allow and it seems to be a horror invented – in quite some detail – for the story. It’s not wrong, in any ineluctable sense but it does inspire a fleeting sense of unease and a feeling that moral duties may not be being discharged as fully as they should.Ī similar anxiety arises during what we’ll call the chess scene – a flashback to an elaborate atrocity in Auschwitz recounted by Offerman to teach Jonah a slightly obscure life lesson. This misjudgment is perhaps of a piece with the decision to cast Pacino as Offerman, over any number of equally qualified big-name Jewish actors. Hunters’ part-pulp sensibility frequently veers into hamminess – and that’s on top of the discomfort arising from taking this approach to a historical trauma the size, weight and fathomless depth of the Holocaust. ![]() Photograph: Christopher Saunders/Amazon Studios, Prime Video The travails of working for a white boys’ club in 70s America … Jerrika Hinton as Millie Malone. You assume, because of the subject matter, that knotty questions about whether it is possible to be a righteous killer, a good man who murders to good ends, will be raised – but there is little sign by the end of the first 90-minute episode that this is so. It’s too cool and self-conscious for its own good, and seems to revel in any and all deaths on screen, regardless of whether the victims are “guilty” or not. “I’m so glad I didn’t gas you in the camp,” he sneers before he murders his unmasker. Then he pulls out a gun and shoots everyone dead. As he is played by the ineffably creepy Dylan Baker (whose magnificent turn as suspected killer Colin Sweeney in The Good Wife left a slime trail across the mind of anyone who saw it), there is no question of mistaken identity. Meanwhile, in suburban Maryland, an outbreak of stylised violence occurs when the undersecretary of state, barbecuing in preparation for a poolside party, is recognised by a guest’s new girlfriend as “the butcher of Arlem”. Millie Malone (Jerrika Hinton) is a black, female FBI agent suffering all the travails that come with working for a white boys’ club in late 70s America, and is given the case mainly to get her out of her boss’s hair. ![]() ![]() Woven around this main plot strand is the investigation of the murder in Cape Canaveral of an elderly Nasa scientist, gassed in her own shower. He is also, it emerges – if you have managed to avoid all the publicity around Pacino’s new TV role – the leader of a motley band of trackers-down and killers of any Nazis who survived the war and made new homes in the US. Pacino plays Meyer Offerman, a friend of the grandmother’s and a fellow concentration camp survivor who had saved her life when their ghetto was liquidated. When his grandmother is killed by a masked intruder she seems to know (“You can’t hide,” Jonah hears her say before she is shot), Jonah is taken under the wing of none other than Al Pacino.
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